Category Archives: This Week I Learned

I Don’t Know Why We Didn’t Call it the Scottish Play

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Good morning. It’s not the morning when I’m writing this, but that’s not the point. Anyways, yes, right, the post. Over the past few months, starting in January I think, we’ve been reading Shakespeare’s Macbeth. It is a very interesting play within itself, and has many interesting themes. The one we studied was the idea of appearance vs. reality. This, through some unknown channel, was connected to our social studies timeline, and so we were basically studying the 1950’s, as well as a Scottish play from the 17th century.

This may seem like an odd connection, but there really are quite a few connections you could draw. That was one of our assignments, actually. We had to write blog posts connecting Macbeth and the 1950’s. It was definitely hard to start, but by the end of these posts, I think I had really done some good work.

Another big part of the unit were what we called ‘Act Quests’. Basically, while reading the play, we would have these test-like things where we would be given quotes from Macbeth, and have to: recount the events that took place before, during and after the quote, identify who said it and why it was important to the character and those it was said to, and how it relates to theme. These were definitely not easy. In PLP, we don’t have a lot of tests, which is why sometimes things like this can catch us off guard. We did do something similar to this in the LOTF project, but to a much lesser degree. Its definitely important to do things like this, to prepare for university and stuff, but it’s still not my favourite. I guess my biggest issue was putting too much information down, which makes sense, because I do tend to do info dumps. But overall, I think it was a really good practice in an area we sometimes don’t spend tons of time in.

Now, you might be thinking, well, these are only small parts of the project, they can’t be the final product. And believe me buddy, you’d be right. Also, if you’re familiar with past PLP Macbeth projects, you’ll know that there have been attempts at a class film adaptation of Macbeth. Notice how I say attempt. This has never worked. So of course we had to do exactly that. But it’s never that simple. We also had to set the movie in the 1950’s, and change it so it fits in that year. Goodie.

One of the things we stated with was trying to figure out a story outline. Everyone would try and come up with an idea on how we could set it in the 50’s. At first, we had grandiose ideas, like having it set in a mayors office, or during a presidential race. But we had to rethink, because we were going to be the ones acting, and we are children. I mean the in the nicest way possible, but nonetheless it’s true. We’re also not that great actors, but thats another issue altogether. We ended up going with a private school with a secret society.

Now came the really difficult part: deciding roles. This can either be a very big deal, or a very small deal. To us, it was big. I wasn’t sure what I should do, because although the whole class was working together, a group called the key creatives were mostly in charge of the movie. The key creatives were the people who everyone reported to, and were responsible more or less for the success. all the roles were similar to what would be on an actual movie set. The key creatives were the producer, who was head of everything, the director, who had the vision for the film, and the screenwriter, who, with a team, would write the film. We did add a fourth key creative, production manager, which was similar to producer, but in more of a day to day sense. I decided to apply for the producer, because though it is a lot of responsibility, I thought I could do a good job leading our class to success. Also, I had a vision on what the film could look like, and as a key creative I thought I could help with that part.

Applying for the positions was pretty stressful. First, we had to go home and write a pitch for what roles we wanted. After that, everyone who had applied to be a key creative had to, in class, write out their vision for what the film would look like. And… I got it! I was chosen to be the producer. But that’s not the be all and end all. Off the bat, I was told that I could be fired at anytime. I knew this beforehand, but that really put the pressure on. Not that I thought I’d do a bad job, but its kinda scary. The rest of the team was Giorgia as director, Jesse as screenwriter, and Luca J as production manager. A pretty solid team.

The next part was not fun. Being a key creative was difficult, but way more than I thought it would be. We had a very tight schedule as well, because we were supposed to have it done before spring break and we got our roles like, 2 and a half weeks before then. We had to cast, get costumes, props, write the script, and film in that small window. There were some fun parts, though. We had to find 50’s lingo for the script, which was fun, and reading around the tables was cool. There was a bit of drama around casting, and key creatives spent a lot of time outside of school trying to figure things out, but once we had the prep out of the way, we were more or less set to film.

That’s when things started to fall apart a bit. The teachers left for Vietnam with the grade 12s, so we were left completely on our own. But it was fine. We had a solid film schedule, and we were going to be fine. Everything was blocked in, and the first filming day went smoothly, mostly. I did end up having to be in the movie and sprained my ankle in the process, but we were adapting as things were thrown at us. Even when our Macbeth had to reschedule a shoot because he wasn’t feeling well, it was fine. We adjusted, and filmed everything we could without him. Except, he was still sick the next day. And when we thought he was getting better, and had everything set, he was sick again and wasn’t sure wether or not to come. The key creatives discussed, and said we needed to keep everyone safe and so we cancelled. This was a difficult decision, but it was for the best. We had got all we could without our main character, and everyone had worked so hard.

Then spring break hit, and we were working with what we had. The post production crew did a great job with what they had, and we planned to film the rest after the break. But, as you might have guessed, the break never ended. Well, it did, but you know what I mean. School was cancelled, and we were forced to accept what we had. It was really though to face. Being the head of a big project like this was a really amazing learning experience for me, and to see all that work not pan out was really sucky. Everyone tried their hardest, and though there were some hiccups, if it hadn’t been for the sickness of Macbeth, I think we would have pulled it off. Its dissapeointng, but I know how hard everyone worked, and the experience within itself was pretty cool.

https://www.youtube.com/watch?v=Ib4QMGU-PMc&feature=emb_logo

I do have a theory on why it didn’t work, though. A dumb, superstitious theory, but still. So, when actors are putting on the play of Macbeth, they call it the Scottish Play. There are documented cases of when people didn’t do this, and then actors got sick or hurt. I just find it kinda fishy how it was Macbeth who got sick, and no one else. But that’s just the raving of some student. Who really knows?

EVERYBODY IS LYING

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Here’s the thing, here’s the thing, here’s the thing. People lie. They always have. Some people are bad at lying. Some people are good at lying. Some people are so fantastic at lying that they make a career out of it. But the thing about lying is that you really can’t tell sometimes. One thing, maybe, that’s off putting, but nothing else. Then that one thing puts you on edge. And you get suspicious. And then everyone is lying and everyone is out to get you. Yay!

This weeks TWIL post, which you might have guessed, is about suspicion. Not necessarily if that suspicion was justified, but I mean that’s not the point. Something is happening, and it’s someone’s fault, so you gotta blame someone!

As of right now in Macbeth, which is up to the end of act three, tensions are high in ye old Scotland. King Duncan is dead, killed by his own guards. These guards were conveniently killed before anyone could question them. So it’s a classic case of whodunit. There are a few suspects at play.

  1. The sons, Malcom and Donalbain. Parricide is a bit extreme, and doesn’t exactly make sense. Early on in the play, Duncan appointed Malcom his successor, which was uncommon for the Scotland monarchy. What were the sons motives then? The biggest point against them is that they fled after their fathers death, which does seem a bit suspicious. They are not trusting of their fathers court, and believe it was one of the other nobles who killed their father, and would be coming after them next. 
  1. Macbeth, yes, good old Macbeth. A loyal subject to the great king, or so it would seem. Macbeth killed many a man for king and country, so what’s one more on his belt. Or three, if you count the guards who Macbeth just happened to kill in a fit of passion over the dead king. Macbeth did have a remorseful look about him, but again, people lie. It was also Macbeth who ascended to the throne once the mighty Duncan was slain in his sleep. He had the most to gain by Duncan’s eternal slumber. Of course Macbeth is in full favour of accusing the sons, but you would be too if you murdered someone and there was another suspect. 
  1. I’m sure there are more. Duncan was all to trusting. Why, in the second scene of the play we learn of another who had betrayed the oh so gracious king. In any case, Malcom, Donalbain, and Macbeth are the lead suspects. 

The 1950’s was not so different. The 50’s were a time filled with suspicion of communism, spies, and the Soviets. Everyone was at risk. Well, everyone was at ‘risk’ of being spied on. There were a few groups of people, however, who just had to be spies. 

  1. Hollywood. Not a specific person, I know. It’s a place. That’s the thing. Everyone in Hollywood was under scrutiny. HUAC, House Un-American Activity Committee, started investigating Hollywood, actors, directors and writers alike. They decided that they could have been promoting un-American propaganda. They started subpoenaing people, trying to get them to either confess or accuse friends or colleagues. Many people were blacklisted, and unable to get work in the industry. Some writers and directors used  pseudonyms to continue their work. This blacklisting continued straight through the 50’s, finally ended in the 60’s.
  1. Homosexuals. This, less obvious, and not for why you’d think. At least, I don’t think you’d think of this. I certainly didn’t. To the point. Homosexuals, yes. See, being gay or lesbian wasn’t a good thing in this timeline. Cause, see, if you were LGBT, other governments could blackmail you into getting them secrets. Which, I mean, isn’t that far fetched. In 1953, President Eisenhower made an act thingy that made it so employees could track down and fire you if you belonged to the LGBT community. Tons of people were fired or quit, cause they were scared. Everyone was scared.
  1. Last, but certainly not least, communists, or sympathizers. This one is a little more obvious, I know. Political ideologies, religion, all this made them ‘perfect’ candidates for sympathizers. Some people, including some from Hollywood, plead the first amendment from the constitution saying that they could belong to any political party. American’s may be stubborn, but the one thing they will always stand by is freedom. 

Again, I’m sure there were others. These are just some big ones that I wanted to focus on. Anyone could be a spy, that’s the thing. That’s why suspicions were so high. But by pushing this hysteria onto a specific group of people, it definitely made it seem like the government was doing something. That was, of course, until Senator McCarthy accused the United States Army. Everything went downhill for him at that point.

For my artefact for this weeks TWIL post, I decided to make suspect folders on some of the people I mentioned in this post. For Macbeth, it’ll be Macbeth, obviously, and Malcom and Donalbain. For the 1950’s side, I made up these people. Keep in mind, the FBI did have files on suspected communists, sympathizers, or LGBT people, but they probably didn’t look like this. I made these using, well, mostly keynote, and Splice for the editing. 

 

The Foundation Of Every Success

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For my second TWIL post, I’m shifting my gaze from the political side of things, to the social aspect of both the 1950’s. More specifically, I’ll be focusing on the role of women, and how important they are to a household in both these time periods.

 

What does 11th century Scotland have in common with post WW2 America? How have women’s roles changed over the centuries? Why can’t men do their own laundry? Podcast time! Women’s roles during WW2 and post WW2 were drastically different. After working in factories for years while the men were away, manufacturing munitions and the like for the war, women were expected to go back to being house wives. And for the most part, they did. Only one third of the workforce in America were women. The rest were conforming to the ‘American dream’. This American dream, of 2.5 kids, a house in the ‘burbs, dominated the media. Society demanded this idea, and people, as they do, conformed. Women needed a husband, a house, somewhere to become this thing, this housewife. Men also needed a wife. Being a bachelor in the 1950’s was not a good idea. Being seen as a homosexual, at this time, was really bad. Whispers of communism were everywhere. By being someone who could be blackmailed into communism, you were at risk. So by obtaining a wife, this suspicion was gone. Of course, that’s just one reason they got married. In this American dream, the housewife literally held the house together. Cooking, cleaning, all of this was extremely important for the ‘successful man’. She was the support of the house, the support of the success. In Macbeth, Lady Macbeth really is that supporting wife. Macbeth sees her as an equal, calling her in the play ‘my dearest partner of greatness’. And yet, it is still her who prepares the house for the king, ordering the servants about in preparation for the occasion. In the 11th century, women had roles akin to the ones in the 16th century, as in the 20th. Lady Macbeth’s status brings her above many tasks, but she still runs the household. Lady Macbeth is also the support behind her husband, driving him forward alongside his ambition. Without Lady Macbeth, Macbeth wouldn’t be where he is in act 3 of the play. She supported his ideas, was counsel before the plot, created the plan for the murder. At each step Macbeth took forward, Lady Macbeth was right there with him. In both times, women were seen as the weaker sex, only capable of housework and the like. Lady Macbeth has to perform witchcraft, ‘unsex’ herself, to be able to perform the deed of killing Duncan. Women were the ‘innocent flower’ then, as they were in the 50’s. Though society moves forwards, some stereotypes move as well. In any case, both timelines need the support of the women, them, working behind the scenes, keeping everything together.

For this TWL, my artifact is a podcast. I brought this together using my GarageBand and sound skills we’ve been learning over the past couple years. Sound is one of my favourite mediums to work with, so this was a blast!

 

Liars in the Midst of Friends

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Shakespeare has been something that people study in school for, well, a long time. The 1950’s are a very interesting part of history, full of threats and standoffs. So why not combine the two into a project?

For this project, we’ve been studying Macbeth, the Shakespeare play, and the world post WW2, and the Cold War. While learning about these topics, we’ve been assigned something called This Week I Learned posts, or TWIL posts. Each week, with our teachers lectures and our study of Macbeth, we have to find a connection between Macbeth and the 50’s. This week, I’ll be focusing on secrets, and the impact they have.

The Potsdam Conference, which took place July 17-August 2nd, 1945, was the last time The Big Three met. The Big Three were the leaders of some of the biggest players in WW2; Harry Truman, president of the United States who just replaced FD Roosevelt, Winston Churchill, British prime minister who was replaced halfway through the conference by Clement Attlee due to an election, and Soviet leader Joseph Stalin. The Potsdam Conference was where they, among others, discussed post-war Europe. During this conference, Truman got the phone call that told him the Trinity test was successful. Now, Truman had this huge power, and didn’t really want to tell those at the conference, chiefly among them Stalin. He did tell Churchill the news, creating a ‘two against one’ dynamic.

In Macbeth, after fighting many great battles, Macbeth returns home to his Lady Macbeth with strange news. While returning from battle, he was visited by three witches, who declared he would be king. Macbeth has great ambition, so with the spurring on from the witches and his wife, they hatch a plan to kill the king, Duncan. One fortunate part of their timing is that King Duncan is coming to stay at their home for one night. These three big players, the killers and the killee, creating a ‘two against one’ dynamic.

In both cases, Macbeth and Truman know the repercussions their actions can have. In Truman’s case, the superpower that man has discovered can create mass destruction. in Macbeth’s case, he knows the death of the king will have a devastating impact on their kingdom. That doesn’t stop either of them, though. Two of the three are in on the secret as well, but in both cases Macbeth and Truman aren’t super great at keeping the secret. Macbeth has a moral struggle, and cannot act the part of ‘the innocent flower’. Truman mentions to Stalin that they have a weapon, not hiding it as well as maybe he should.

Both Macbeth and Truman are in the midst of a Shakespearean ‘fair is foul, foul is fair’. Macbeth can become king, but only by killing King Duncan, his kinsman and honoured guest. Truman can end WW2, one of the worst wars in history, but only by murdering tens of thousands of innocent people. There is no good decision for either of them.